Merkliste
Die Merkliste ist leer.
Der Warenkorb ist leer.
Kostenloser Versand möglich
Kostenloser Versand möglich
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Thinking Through Theatre and Performance
ISBN/GTIN

Thinking Through Theatre and Performance

BuchKartoniert, Paperback
Verkaufsrang13594inKunst
CHF52.40

Beschreibung

Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.
Weitere Beschreibungen

Details

ISBN/GTIN978-1-4725-7960-7
ProduktartBuch
EinbandKartoniert, Paperback
ErscheinungslandVereinigtes Königreich
Erscheinungsdatum07.02.2019
Seiten336 Seiten
SpracheEnglisch
MasseBreite 169 mm, Höhe 244 mm, Dicke 22 mm
Gewicht585 g
Illustrationen30 bw illus
Artikel-Nr.5444370
KatalogBuchzentrum
Datenquelle-Nr.22863999
Weitere Details

Reihe

Bewertungen

Empfehlungen zu ähnlichen Produkten

100 Jahre Designgeschichte: Wer oder was setzte sich schlussendlich durch? Wer blieb auf der Strecke? Wer waren die Designer hinter den Produkten? Was wurde zum zeitlosen, oft kopierten Klassiker und warum? Wer dies und mehr über gutes Design erfahren möchte, ist mit diesem prächtigen Bildband bestens bedient.

Autor

Maaike Bleeker is a Professor and the Chair of Theatre Studies at Utrecht University, Netherlands. She is President of Performance Studies international, a Member of the International Advisory Board of Maska (Ljubljana) and of Inflexions: A Journal of Research-Creation (Montreal). Her publications include: Visuality in the Theatre: The Locus of Looking (2008); Anatomy Live: Performance and the Operating Theatre (2008); BodyCheck: Relocating the Body in Contemporary Performing Arts (with Stephen DeBelder, et al).
Professor Adrian Kear is Programme Development Director, Performance Arts, at Wimbledon College of Arts, University of the Arts London, UK. His books include: Theatre and Event: Staging the European Century (2013); International Politics and Performance: Critical Aesthetics and Creative Practice (with Jenny Edkins) (2013); On Appearance (with Richard Gough) (2008); Psychoanalysis and Performance (with Patrick Campbell)(2001).
JOE KELLEHER is Professor of Theatre and Performance at Roehampton University, UK.
Heike Roms is Professor in Theatre and Performance at the University of Exeter, UK. Her books include: Silent Explosion (2015) and Contesting Performance - Global Sites of Research (co-edited with Jon McKenzie and C.J.W.-L. Wee, 2010). Her research into the history and historiography of early performance art won the David Bradby TaPRA Award for Outstanding Research in International Theatre and Performance 2011.

Schlagworte