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Introduction to Screen Narrative
ISBN/GTIN

Introduction to Screen Narrative

Perspectives on Story Production and Comprehension
E-BookPDFE-Book
Verkaufsrang312865inKunst
CHF66.00

Beschreibung

Combining the expertise of screenwriters and scholars, this book offers a comprehensive overview of how screen narratives work. Exploring feature films, television, animation, and video games, the volume provides a contextual overview of the form and applies this to the practice of screenwriting.
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Details

Weitere ISBN/GTIN9781000930566
ProduktartE-Book
EinbandE-Book
FormatPDF
Erscheinungsdatum29.08.2023
Seiten322 Seiten
SpracheEnglisch
Dateigrösse4824 Kbytes
Illustrationen11 schwarz-weiße Abbildungen, 10 schwarz-weiße Fotos, 1 schwarz-weiße Zeichnungen, 1 schwarz-weiße Tabellen
Artikel-Nr.25992572
KatalogVC
Datenquelle-Nr.4606039
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Bewertungen

Autor

Paul Taberham is Associate Professor in Film and Animation Studies at the Arts University Bournemouth, UK. He is the author of Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist (Berghahn, 2018) and the forthcoming Animated Visions: Theory, History and Aesthetics (Berghahn, 2024). He is also the co-editor of Cognitive Media Theory (Routledge, 2014) with Ted Nannicelli, and Experimental Animation: From Analogue to Digital (Routledge, 2019) with Miriam Harris and Lilly Husbands. Paul is a fellow of the Society of Cognitive Studies of the Moving Image, and on the editorial board for Animation: An Interdisciplinary Journal.

Catalina Iricinschi is Visiting Assistant Professor of Psychology at Franklin & Marshall College. Research interests include event segmentation in film narrative, eye tracking in narrative processing, narrative of belonging and displacement, place and space depiction in film narrative, and Romanian cinema. She has published in journals such as Cognitive Science, Projections: The Journal for Movie and Mind, I-Perception, along with the edited anthologies Space in Language and the forthcoming Narrative, Media and Cognition.